I get asked a lot about how I juggle motherhood, wifehood and my business; specifically, how I stay on top of my work while chasing after a baby (who is crawling everywhere now!) and still maintain my sanity (although that part is up for argument.) My answer is always the same: YOU MUST HAVE A SYSTEM AND YOU MUST STICK TO IT!
Albums have always been the big item on my to-do list. Between selecting the photos, editing the photos in Photoshop, laying out the album and proofing it to the client, album design is a multi-step process that seems to drag on and on. But I have a serious system in place, which I never deviate from, and it really helps me to stay on top of the never-ending mountain of album to-dos.
In 2008, I designed, proofed, printed, ordered and shipped 44 albums; that doesn't include the roughly 20 albums from 2007 that had to be completed as well. To some that may sound like a lot, to others it may sound like a little, but when you keep in mind that I have no office staff (seriously, none - it sucks) and every last album page is designed free-hand in Photoshop, I think that's quite a mountain of work. So, what's the system? ....
Step One: I choose images by tagging them in PhotoMechanic. Yes, I choose the images for my clients' albums. Why? Because the vast majority of my clients are busy people, who are not artists and who are completely overwhelmed by sifting through 800 proofs to narrow it down to 70 or so favorites. I firmly believe that this is a service to my clients and, absolutely, it means more work for me, but it means I can get started right away on a client's album and I can regulate my workload. Once I've selected the images for the album, I copy those in to an Album Edit folder.
Step Two: Photoshop the images in my Album Edit folder, using the Totally Rad Actions. I cannot stress enough how important it is to have your 3-5 "looks" that you stick with when retouching images. This avoids the inevitable "experimenting" with every action under the sun (which is time-consuming) and also helps to maintain continuity in the album. The images are saved as flattened jpegs in the Album Edit folder.
Step Three: Design the album. First, I create a spread in Photoshop (I automate this my creating actions that open a blank canvas at the appropriate size and resolution). Next, I pull the images that I want to include on that spread in to Photoshop. One by one, I drag those images on to my blank canvas and free transform the image to the appropriate size. I use the grid to ensure that the images are all lined up and the same size. Next, I save the album spread as a PSD, named 00-01, 02-03, 04-05, etc, in a folder called Album.
Step Four: Proof the album. I use Bridge to batch the album PSDs as JPEGS at 1600 px wide. These jpegs get put in a folder called Album Proof and then I use those jpegs to create a slideshow in SlideShareMax. SlideShareMax generates a link that I send to my client for their review. Along with the link to their album proposal, the client receives a pdf form where they indicate, page by page, whether to keep the design or whether to make a change. If they choose to change something, there is room for them to write in their changes. This form also includes all the leather choices, cover layouts and imprinting options and the client simply fills in which they choose. I allow one ROUND of changes to the album, each additional change is $50 per change.
Step Five: I make the clients' changes (to the layered PSD files in the Album folder) and then regenerate the Album Proof files and re-upload to SlideShareMax for the clients' final approval.
Step Six: I use Bridge to generate full-size JPEGS from the layered PSD files, which then get uploaded to Finao for printing and binding.
That's it! A typical album, from start to finish can be done in about 3-6 hours, depending on the size of the album and the number of changes requested by the client.
And since blog posts are boring without photos, here is an album I worked on last week from a lovely wedding at Montecito Country Club -

Now that wedding season is slowing down, I am desperately seeking blog content. If you have questions, or topics you'd like me to blog about, feel free to leave them in the comments below! I am always happy to share the little tips and tricks that help me to keep balance in my personal life and success in my business!
delightfully,
Chenin
Contact Me * My Portfolio * Stuff for Photographers
Albums have always been the big item on my to-do list. Between selecting the photos, editing the photos in Photoshop, laying out the album and proofing it to the client, album design is a multi-step process that seems to drag on and on. But I have a serious system in place, which I never deviate from, and it really helps me to stay on top of the never-ending mountain of album to-dos.
In 2008, I designed, proofed, printed, ordered and shipped 44 albums; that doesn't include the roughly 20 albums from 2007 that had to be completed as well. To some that may sound like a lot, to others it may sound like a little, but when you keep in mind that I have no office staff (seriously, none - it sucks) and every last album page is designed free-hand in Photoshop, I think that's quite a mountain of work. So, what's the system? ....
Step One: I choose images by tagging them in PhotoMechanic. Yes, I choose the images for my clients' albums. Why? Because the vast majority of my clients are busy people, who are not artists and who are completely overwhelmed by sifting through 800 proofs to narrow it down to 70 or so favorites. I firmly believe that this is a service to my clients and, absolutely, it means more work for me, but it means I can get started right away on a client's album and I can regulate my workload. Once I've selected the images for the album, I copy those in to an Album Edit folder.
Step Two: Photoshop the images in my Album Edit folder, using the Totally Rad Actions. I cannot stress enough how important it is to have your 3-5 "looks" that you stick with when retouching images. This avoids the inevitable "experimenting" with every action under the sun (which is time-consuming) and also helps to maintain continuity in the album. The images are saved as flattened jpegs in the Album Edit folder.
Step Three: Design the album. First, I create a spread in Photoshop (I automate this my creating actions that open a blank canvas at the appropriate size and resolution). Next, I pull the images that I want to include on that spread in to Photoshop. One by one, I drag those images on to my blank canvas and free transform the image to the appropriate size. I use the grid to ensure that the images are all lined up and the same size. Next, I save the album spread as a PSD, named 00-01, 02-03, 04-05, etc, in a folder called Album.
Step Four: Proof the album. I use Bridge to batch the album PSDs as JPEGS at 1600 px wide. These jpegs get put in a folder called Album Proof and then I use those jpegs to create a slideshow in SlideShareMax. SlideShareMax generates a link that I send to my client for their review. Along with the link to their album proposal, the client receives a pdf form where they indicate, page by page, whether to keep the design or whether to make a change. If they choose to change something, there is room for them to write in their changes. This form also includes all the leather choices, cover layouts and imprinting options and the client simply fills in which they choose. I allow one ROUND of changes to the album, each additional change is $50 per change.
Step Five: I make the clients' changes (to the layered PSD files in the Album folder) and then regenerate the Album Proof files and re-upload to SlideShareMax for the clients' final approval.
Step Six: I use Bridge to generate full-size JPEGS from the layered PSD files, which then get uploaded to Finao for printing and binding.
That's it! A typical album, from start to finish can be done in about 3-6 hours, depending on the size of the album and the number of changes requested by the client.
And since blog posts are boring without photos, here is an album I worked on last week from a lovely wedding at Montecito Country Club -

Now that wedding season is slowing down, I am desperately seeking blog content. If you have questions, or topics you'd like me to blog about, feel free to leave them in the comments below! I am always happy to share the little tips and tricks that help me to keep balance in my personal life and success in my business!
delightfully,
Chenin
Contact Me * My Portfolio * Stuff for Photographers
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Comments
Kia Gregory said:
Thanks, Chenin! For giving us details on your work flow! What are you planning on doing in your off season/down time?
(11.12.09 @ 11:29 AM)
Gloria Mesa said:
Thank you!! Love how simple you make your album workflow.. one question? Do you use the actions to retouched and how much re-touched you do? thanks!
(11.12.09 @ 11:31 AM)
Shannon - SNS said:
I really enjoyed this post! I can't imagine doing 44 albums by myself in a year.
(11.12.09 @ 11:34 AM)
Shannon - SNS said:
I really enjoyed this post! I can't imagine doing 44 albums by myself in a year.
(11.12.09 @ 11:34 AM)
Kristen Weaver said:
This is great, supermom! :) Do you try to stick with a certain number of images - like 4 details, 6 formals.... or do you just choose based on the images? I'm always afraid I'm over-killing on details or something. As for blog content - I'm always interested in hearing about lighting during that day (ceremony, reception, formals - especially indoor). Thanks for sharing your advice!
(11.12.09 @ 11:39 AM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 11:39 AM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 11:41 AM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 11:43 AM)
Maranda said:
Thanks Chenin! I found this post exteremly useful look forward to more in the future :)
(11.12.09 @ 11:46 AM)
Kristen Weaver said:
This is great, supermom! :) Do you try to stick with a certain number of images - like 4 details, 6 formals.... or do you just choose based on the images? I'm always afraid I'm over-killing on details or something. As for blog content - I'm always interested in hearing about lighting during that day (ceremony, reception, formals - especially indoor). Thanks for sharing your advice!
(11.12.09 @ 11:46 AM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 11:52 AM)
Robert Raszczynski said:
Chenin you are star for sharing your album workflow.
(11.12.09 @ 11:53 AM)
mary said:
i do almost the same exact workflow BUT sans photoshop for the design. sarah rhoads showed me how to design albums using indesign and it has changed EVERYTHING. super quick albums, no more judging spacing/sizes with the guidelines & snapping... i'd highly recommend it!!
(11.12.09 @ 11:53 AM)
mary said:
i do almost the same exact workflow BUT sans photoshop for the design. sarah rhoads showed me how to design albums using indesign and it has changed EVERYTHING. super quick albums, no more judging spacing/sizes with the guidelines & snapping... i'd highly recommend it!!
(11.12.09 @ 11:54 AM)
mary said:
i do almost the same exact workflow BUT sans photoshop for the design. sarah rhoads showed me how to design albums using indesign and it has changed EVERYTHING. super quick albums, no more judging spacing/sizes with the guidelines & snapping... i'd highly recommend it!!
(11.12.09 @ 11:55 AM)
Maranda said:
THANKS CHENIN! This post is so helpful. Can't wait for more :)
(11.12.09 @ 11:57 AM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 11:58 AM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 12:09 PM)
katie zaboy said:
Chenin, this is awesome information, simple, straighforward and obviously effective! Thank you from a newbie to album design and workflow!
(11.12.09 @ 12:11 PM)
katie zaboy said:
Chenin, this is awesome information, simple, straighforward and obviously effective! Thank you from a newbie to album design and workflow!
(11.12.09 @ 12:12 PM)
Ashley said:
Chenin, thank-you so very much for sharing your system! I am currently 9 books behind, and I am totally dreading tackling them! I absolutely appreciate your tips, blog, and of course your beautiful photos.
(11.12.09 @ 12:12 PM)
Andrea said:
Thanks for the workflow tips Chenin. I always find it helpful to hear how other photographers approach work, especially one who gets so much done ;]
What do you take with you when you travel for weddings? Especially traveling alone & on airplanes?
(11.12.09 @ 12:23 PM)
imthiaz houseman said:
what a fantastic album and photo.
(11.12.09 @ 12:26 PM)
Andrea said:
Thanks for the workflow tips Chenin. I always find it helpful to hear how other photographers approach work, especially one who gets so much done ;]
What do you take with you when you travel for weddings? Especially traveling alone & on airplanes?
(11.12.09 @ 12:28 PM)
Emilie said:
Thanks for the tips!!! Your album is gorgeous!!
(11.12.09 @ 12:56 PM)
michele bowman said:
thanks for you insights into the daunting task of album design. i love how you make it sound so simple! LOL!
(11.12.09 @ 01:36 PM)
rik andes said:
love the tips, chenin! i do like your idea of selecting the images for the album yourself. i sat and waited for my first bride to choose her images for a long time. that would have saved a ton of time right there. plus, you can regulate your workload better when you know when the work will arrive. ;) thanks!
(11.12.09 @ 01:46 PM)
tony bisson said:
That is a good system but you lost me at the Fineo part.
(11.12.09 @ 01:57 PM)
connieMchung said:
thanks for the tips! :)
(11.12.09 @ 02:25 PM)
chenin said:
testing the comments, since some people are having difficulties. Test. Test. Is this thing on?
(11.12.09 @ 02:35 PM)
Catharine said:
ooohh. thanks! so fun to hear your flow!
(11.12.09 @ 03:01 PM)
annaliza said:
hi chenin- i'm a new photog and am wondering about posting pictures of clients on the blog. do you have a form that gives you their blessing for you to do that or is it not really their choice? thanks. your work, family and relationship with your hubs is an inspiration (how many people can say they've been with their sweetheart of jr high? i luv it). -annaliza
(11.12.09 @ 08:26 PM)
Chris c. said:
Thanks for sharing your albums! You said YOU choose the images for your clients.. but how/ what do you say to convince them? I attempted to create an album with some highlight images that I thought told a beautiful story but my clients ended up changing just about everything. Please share. Thanks again!
(11.13.09 @ 12:26 PM)
Michele B said:
I'm about to order my first sample wedding album from Finao. You just saved me a lot of head banging against the keyboard :)
(11.13.09 @ 03:15 PM)
Michele B said:
I'm about to order my first sample wedding album from Finao. You just saved me a lot of head banging against the keyboard :)
(11.13.09 @ 03:16 PM)
Michele B said:
I'm about to order my first sample wedding album from Finao. You just saved me a lot of head banging against the keyboard :)
(11.13.09 @ 03:17 PM)
nancy ray said:
wonderfully helpful post :).
my question for your blogging season: what are your 3-4 favorite TRA's that you use the most?
(11.13.09 @ 04:27 PM)
Laura said:
Long time (feed) reader here! I had to hop over to comment on this one. :)
If you were just starting out today, knowing what you know now, what advice would you give to a seasoned, long-time *amateur* considering going pro? (And leaving cushy work for more creative pursuits...) Would you recommend any specific formal training? And I hope this doesn't sound crass, but can one earn a good living as a photographer? I know income can vary WIDELY (understatement!), but is it possible to earn (considerably?) more than $150k/year if you kick butt at it but aren't aiming to be Annie Leibovitz?
Thanks for being willing to share!
Laura (who owns all of the Totally Rad Actions and LOVES them!)
(11.14.09 @ 08:00 AM)
ajira said:
Thanks for this... Wonderful to see you work, and hear how you get things done. I did one wedding where I waited for the couple to choose their album pics and two years later, they still haven't. Since then I choose them myself and then get approval of the album. Works way better. I do talk to them a lot to get a feel for what they're interested in seeing in it. So far, it's worked great!
I'd love to hear more about your system for juggling baby and work. It's something I'm working out myself... so I am very curious to hear how others are handling it. I think I am generally interested in systems- generating business, converting prospects to clients, the process from client meeting to album proofing/print ordering, before and after a shoot, getting clients to relax... it's all so very fascinating!
(11.15.09 @ 08:14 AM)
Dana Goodson said:
Thank you so much for sharing! I'd love for you to blog about your equipment- what you use, gear you love, etc. :o)
(11.15.09 @ 05:02 PM)
Dana Goodson said:
Thank you so much for sharing! I'd love for you to blog about your equipment- what you use, gear you love, etc. :o)
(11.15.09 @ 05:06 PM)
cameron clark| cameron + kelly studio said:
surprised you don't use Photojunction, I can't live without--it's come a long way and it's free!!!
(11.15.09 @ 06:54 PM)
Brianna said:
Chenin, I am nowhere near as talented as you, but it was very interesting to read how you put together an album. Thank you for sharing.
(11.15.09 @ 09:45 PM)
Olivia said:
Beautiful photography! I love your work, more power to ya! :)
(11.16.09 @ 09:24 AM)
Rachel said:
Thank so much for this helpful information. Sometimes I put too much pressure on myself to jazz up my albums and then it takes me longer to produce them. It was good to see a nice, simple album that just lets the images speak for themselves.
(11.16.09 @ 05:43 PM)
Amanda B. Young said:
44 ALBUMS!? Holy moly! That's crazy! Wow. But, you have such a great system... and I loved that you outlined it here. I had no idea all that went into it, especially doing it from scratch like that.
Soooo you said feel free to ask... so I'm asking... have you always created your albums by hand in photoshop? If not, what did you use before that and why did you switch?
(11.16.09 @ 09:59 PM)
Lizett Esparza said:
hi Chenin, I love passing by your blog every so often, your images are so so awesome, thx so much for sharing your wonderful talent! I have a quick Question that's been bugging me. How do you go about shooting your e sessions or weddings at places where photography is not permitted? Say a hotel or public places. I recently shot an e session @ the viceroy hotel in Santa Monica and I was paranoid the whole time because I just knew someone was going to kick us out. Any suggestions would help so much ;)
(11.17.09 @ 01:12 AM)
LIz said:
Great post! It's really great to see what other people's workflow is like. My album workflow is quite similar, with the exception of layout out the books - I do that using InDesign and Illustrator for any flourishes or illustrations I want to add in (at clients request and $$ - it is an upgrade)
I also have been using Issuu.com to display the albums online afterwards.
(11.17.09 @ 06:56 AM)
allison stahl said:
This post came at the right time! I have albums in the wings and I love the simplicity of your work flow and design style. Thanks for sharing.
(11.17.09 @ 01:24 PM)
brooke bowland said:
THANK YOU! i am always curious on the album bits and what people are doing. totally loving your walk through. thanks so much for sharing.
(11.17.09 @ 03:21 PM)
brooke bowland said:
THANK YOU! i am always curious on the album bits and what people are doing. totally loving your walk through. thanks so much for sharing.
(11.17.09 @ 03:24 PM)
Amy Gibbons said:
Love love love your blog...check it daily...even if it's to read older posts I've read a hundred times! The images are just so stunning! The album design post was super helpful! I personally would love to read more about your lighting technique & general flash suggestions/settings when you don't have that yummy light to work with.
(11.18.09 @ 07:13 AM)
Kay English said:
Ooooo! I have so many questions yay! One of them is, I recently quit my full time job to pursue photography full time. And even though I have plenty of things to do, it gets a little lonely. Do you recommend networking with other photographers so there's someone to hang out with once a week while everyone is at work lol. Love your work sooo much!
(11.23.09 @ 04:36 PM)
Curtis Copeland said:
Thanks for the insight Chenin. I am now in the midst of 6 album designs to complete - all by my lonesome (sniff...). These are great practical tips on building wedding albums for clients. Thanks for your heart to share and help out other photogs. it is encouraging to see you want to help other people be genuinely successful.
Have a great Thanksgiving!
Be blessed,
Curtis
Wedding Photography Miami
(11.24.09 @ 12:46 PM)
Curtis Copeland said:
Oh yes, as to blog topics,
1. how do you shoot at night out in the open? (I had an outdoor night wedding and there was nowhere to bounce flash and no assistant to carry a 2nd light).
2. How do you stay connected to your clients from the time of signing the contract until the wedding? Do you intentionally connect with each one? Not, just Facebook random contact, but deliberate interaction.
3. What has been the best part of being a wedding photographer for you? What drives you in this business???/
Thanks!
Curtis
(11.24.09 @ 12:50 PM)
eric | raw photo design said:
Chenin, your work is truly inspirational, I absolutely LOVE it! And of course your husband is the PS master. I'm really looking forward to hearing about your reasoning for switching to nikon :) Looks like you've already heard it on here but PLEASE switch to inDesign!! For your own sanity!! It's completely revolutionized our workflow...30 page albums in an hour and your album-style is perfect for it. Drag and drop - need I say more??!!
Thanks again for all you do!
(11.25.09 @ 09:13 PM)
Alex Workman said:
Thank you so much for posting this. It is a great starting place as a refine my workflow!
(11.25.09 @ 09:41 PM)